When Viewing Examples of Student Work:

Often a single example of work may not demonstrate all the required objectives for a particular assignment. Instead students should collectively consider: the required objectives for each assignment, the multiple examples presented on this website and during in class presentations. As well ideas discovered through a student's independent research in combination with various examples and ideas presented by instructor will ultimately be the best approach for synthesizing ideas and reaching the requirements (and unique outcome) for any particular course project. Attendance and participation in all classes and meeting with instructor with Art Assignments in progress well in advance of deadlines will increase chances for desired grade. To access all posts and links for the art part of this course go on the right side of this course website."LISTINGS FOR LECTURES (COURSE TOPICS) & ASSIGNMENTS"

Assignment 3: Final Project Assignment


Final Project Lecture: 
Assignment Requirements and Some Examples and Ideas for Final Project 

Final Project Assignment (Pages 1 & 2):
Instructor: Derek Brueckner  Instructor’s   Email: Derek.Brueckner@ad.umanitoba.ca  Office: 460 ART Lab

Summary of Assignment: Create a large artwork that is 20 x 30 inches on illustration board incorporating at least fifteen mathematical concepts. Select three “main” concepts (from the main mathematical concepts A to I) listed below.  All 15 iterations should be clearly indicated and neatly labeled on a 20 x 30 inch acetate overlay.

Mathematics Objectives for Assignment: From each chosen “main” concept include at least three different iterations corresponding with each of the chosen main mathematical concepts. So far this would total nine concepts collectively. (Note a different concept means a distinct concept and or distinct iteration, for example: depiction of two different locations does not qualify as tow distinct iterations, it would only count as one iteration)

The six remaining mathematical concepts can come from any other main mathematical concepts and iterations that have were not previously chosen.

Art Objectives for Assignment: This assignment is evaluated on the overall integrated design of these various fifteen mathematical concepts and the overall composition of the entire work. Consider the assignment’s whole visual design and composition as well as the individual main concepts and individual iterations.

In terms of art materials demonstrate investigations with the physicality and optics of art materials - ideally resolving the art material characteristics: of mark making, thick and thin applications of materials, additive subtractive processes of materials, opaqueness and transparency of materials (editing and revising), matt and gloss surfaces/materials, and overall clarity of intentions of materials.  As well in the overall composition/design consider interaction of shapes, colour, line, interval and the optical illusion of space.  Collectively consider how all the above characteristics of the art materials work together.

Main Mathematical Concepts (A to I) 
      Possible Corresponding Iterations
A) Euclidean Constructions
Double Angle, Half Angle, Midpoint
B) Golden Ratio and Fibonacci Sequence
Golden Triangles; Golden Rectangle; Golden Spiral,
Symbols/numbers for Fibonacci Sequence
C) Symmetries
Symmetric Objects; Frieze Patterns; Wallpaper Designs
D) Fractals
Influences of Tree Fractals iterations; Koch Snowflake; Sierpinski Gasket; Sierpinski Carpet; Cantor Set; T-Square Fractal
E) Perspective
1-Point; 2-Point; 3-Point; Cubes; Anamorphic Designs
F) Conics
Circle; Ellipse; Parabola; Hyperbola; Cardioid
G) Polyhedra
5 Platonic Solids; Other solids
H) Hyperbolic Plane
Any drawing in the Hyperbolic Plane
 I) Topology
Möbius Strip; Klein Bottle; Torus; Morphing

Due Date: Tuesday April 9   - Beginning of Class

Once instructor leaves the room, assignments will be considered late, and will be penalized 1 letter grade per day) Anything beyond 3 business days will not be accepted.

Art Materials to Use: Combinations of  at least 3 different mediums (art materials) or more must be used with a variety of colour. One medium must be a wet medium (such as gouache, acrylic or watercolour) used at least in some areas of the work.  The colour art mediums to choose from include: coloured pencil, coloured ink, coloured markers, various types of water based paint, oil pastels, and a minimum amount of collage. (Check art supply list for more details regarding various mediums/art materials.

Process in Making Work: Forms and elements (mathematical concepts) may overlap at times - consider the overlapping in interesting and unique ways.  This is one aspect of the work when considering composition. Some preliminary trial and error explorations are required in the final assignment in terms of balancing the combination of visual elements from being too visually noisy to being boring or too straightforward.

As part of the process people may do the following as a study for the final Project (and as a study in their sketchbook): photograph the Final Project in progress, print out the photo of the work in progress, investigate and experiment with art materials on the print out exploring various directions and options for the composition and design of the work. People must find personal processes that work best in allowing preliminary investigations and offer various options when designing shapes, line, colour and art materials into the overall composition. For the final project at the very least people should use the sketchbook to experiment and explore options, ultimately finding solutions to problems when resolving the Final Project.

Scale of Visual Elements: There can be a hierarchy in scale of visual elements (mathematical concepts and surrounding space) Some concepts may take up the entire illustration board while other mathematical concepts may take up smaller sections. Consider the visual intervals (distances and optical spaces) between each of the mathematical concepts and consider those visual interactions and overlapping in the overall composition and design.

Colour: Using colour consider where high contrast and low contrast can be conveyed with in the composition. For further assistance review the colour theory lecture on line for the art component of the course at: http://derekbruecknermathinartcourse.blogspot.ca


Alternative Art Materials not listed in Art Supply List: People are free to augment the assignment by incorporating some alternative art mediums beyond the Supplies List into the Final Project, however this must be discussed in advance with instructor.

Additional Research: Further information regarding design, composition and use of materials will be reiterated in lectures. People may also look at books involving design at the Architecture Fine Arts Library and or research on line.

Consultation with Instructor: Instructor will be available for consultation primarily after each class. For any consultations with instructor regarding the Final Project it would be very important and useful for people to bring their sketchbook, art materials and final project to the consultation.  During the consultation the instructor will not expect the work to be resolved, but instead will expect a work in progress with: problems, unresolved areas and mistakes. It is hoped that the consultation will assist the person to potentially pursue new options and experiment/investigate with additional ideas in order to improve or resolve the project.

Please note consultations should happen well in advance of the Final Project deadline.



Potential Scenario for 15 Selections for Mathematical Concepts for Final Project




The above detail of a Final Project examples demonstrates a clear colour coding chart for 3 main concepts and a colour coding chart for the 6 remaining concepts/iterations. Looking closer at this work below in the work's entire picture plane we can see that the project actually has more than 15 mathematical concepts which are labelled, colour coded and numbered. This colour coding chart will also be required for the assignment.